I enjoy thinking of music like morsels of sustenance. Bodies need vitamins and minerals to sustain, as do spirits require nutrients for growth, literally and metaphorically speaking. This reminds me of a quote from Greek philosopher, Plato. “Music and rhythm find their way into the secret places of the soul.” Very true, boss. Alternatively, music is a kind of personal gospel residing in psyches, a source of ingredients to forge into something beautiful for many to enjoy. Are musicians kind of like chefs, cooking up creative offerings to feed friends and family? Heck yes, fella. Organic authenticity is the best seasoning to flavor any artist’s zeal and zest.
Back in March, I was forwarded Sqwerv’s Hors D’oeuvres, Part 1. A tasty sampler that I enjoyed and left me hungry for more. ‘Miami’, bud. I listened to that song at least twenty-five times. What a jam. Count me a fan. All part of the plan, my man. I’ve just got my hands on Part 2, which continues the excitement of my senses through their soulful concoctions. Featuring three tracks titled ‘Majk’, ‘Croc Stomp’, and ‘Lately’, this EP further demonstrates the stylish Coloradan’s range and versatility as they carve their niche within the neo-psychedelia genre.
Now, before we discuss the tracks, I’d like to define this term that is reflective of what these albums and offerings represent. This isn’t Jeopardy, but what is neo-psychedelia? Imma break it down for y’ in the way that your buddy, Bear (that’s me), delights in doing.
Neo’s etymology hails from the Greek language, and is a prefix that means young, fresh, and new. Recent, a different form or manner, and when affixed to a suffix describes a brand-new synthesis. Psychedelia characterizes the world of people, or phenomena, associated with psychedelic compounds. Psychedelic music. Thus, neo-psychedelia is a sweet way to describe a brand-new form of songwriting. It’s indicative of the direction Sqwerv’s musical journey is embarked. Either that, or Neo is experimenting with some new amalgams within the matrix. Don’t agree with me? Too bad, Merriam-Webster’s got my back. Soul rocking rhythms, Trebek.
One of the things I love about these albums, is the boys are literally cooking up something fresh, flavorful, and unique on the fly. When asked about the implementation of experimental recording techniques, Sqwerv shared these nuggets. “Every song was essentially written and recorded on the spot. We played every song live together with all of our instruments mic’d up. We experimented with different room recordings. One mic we placed at head level in the middle of the room because we wanted the listener to feel like they were standing in the room with us. We made every effort possible to ensure the organic feel of our living room was captured.”
‘Majk’ begins with a distorted sounding build-up before a pause in silence gives way to a daydreaming guitar. It’s not alone, supported by a methodical drum and hi-hat pattern. Steady as she goes, fellas. As well, do I detect a synth (keyboard) humming from the background? I see visions of a starship cruising through hyperspace before entering a galaxy on a voyage of discovery. Exploration of frontiers unknown, mapping untapped systems of sound. Stars twinkle before me, and I am in awe of all that is.
Next up, a rocking tune titled ‘Croc Stomp’. This is a heavier track than some of the others I’ve enjoyed up until now, but we’re still talking wholesome indie rock. Nothing like heavy friggin’ metal! However, now that I’ve said it, who knows what sounds these indie rockers will experiment with in the future? The world’s your oyster, boys, do what you will. Let’s stay focused, for now. This track sounds like a spirited collaboration between bass, drums, and lead guitar, paying tribute to the type of jam sessions that rockers of all genres can appreciate. A slick six-string entices eardrums with soft effects before elevating into a flurry of notes. Guy’s fingers might be on fire, but this track is cool. Tommy, likey! It’s like a psychic awakening of senses, honest and powerful.
Finally, ‘Lately’ is an uplifting tune that sounds to my ear kind of like a love letter. Here, we finally get to hear Guy’s endearing voice. Nice. Exemplary skills, young man. As much as I love his guitar, I’m a sucker for the piano, and my own heart sings as Jack’s succulent strokes punctuate throughout the song. It’s a bluesy, rock-filled, elegant ballad saturated with heartfelt instrumentalism. It feels a perfect serenade for enjoyment while walking with a goddess. Or, perhaps, trekking through the sanctuary of nature and delighting in its splendor. Almost like a palate cleanser, it’s a refreshing and lovely tune to bring this second portion of Hors d’Oeuvres to a close.
Bro, I bet these boys have cooked up something delightful for the third course. I enjoyed first breakfast, and now second breakfast. Third breakfast is probably gonna slap. Can you sustain yourself on Hors d’Oeuvres? Elevensies? If the constituents are healthy, hell yeah! For now. This is just a taster. I have no doubt these fellas are hard at work behind the scenes fashioning a musical feast for all to enjoy. Music feeds community, bubs. We’ve got a healthy appetite for what’s good. I’ve enjoyed Sqwerv’s offerings thus far, and you could say I’m kind of a little bit curious to listen to what else they’ll be Sqwerving up.
Be well, be successful. Bear Swiftly.
–Electro Scribe–
